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Abi Curtis

Abi Curtis

Head of Programme: MA Literature Studies and MA Creative Writing.
 

Abi was one of the first to gain a PhD in Creative and Critical Writing from the University of Sussex, and went on to teach there until 2010 when she joined YSJU. In 2004 she received an Eric Gregory Award from the Society of Authors for poets under 30, and her first collection, Unexpected Weather, was the winner of Salt Publishing’s inaugural Crashaw Prize and was shortlisted for the London Festival Fringe Poetry Award 2010. Her research interests are Creative Writing, Poetry, Fiction, and Psychoanalysis.

 

Poetry

The Glass Delusion, Salt Publishing, 2012 - link: http://www.saltpublishing.com/books/smp/9781844718641.htm

Unexpected Weather, Salt Publishing, 2009 – link: http://www.saltpublishing.com/books/smp/9781844715657.htm

Humbug, Tall Lighthouse, 2004

Poetry included in a range of journals and anthologies, including: Magma, South East Review, Aesthetica, Poetry South, Resurgence, Succour and The Best American Poetry Blog.

 

Critical and Conference Papers

‘Mushrooming: Resistance and Creativity in Sigmund Freud and Emily Dickinson’ in Angelaki: The Journal of the Theoretical Humanities Routledge, Vol. 17.1: 2012 - link: http://www.tandf.co.uk/journals/routledge/0969725x.html

‘Squiddity: The Power of the Squid in Writing’, ‘First Fictions’, University of Sussex, January 2012 - link: http://myriadeditions.com/first-fictions-home

‘Re-thinking the Unconscious in Creative Writing Pedagogy’, in New Writing: The International Journal for the Practice and Theory of Creative Writing, Autumn 2009.

‘Inventions of Telepathy’ review article in The Oxford Literary Review: ‘Telepathies’, December 2008.

‘An Impossible Apprenticeship’, on teaching poetry, Poetry News, Summer 2006.

 

‘Poetry and Ventriloquism’, ‘Poetry and the Voice,’ University of Chichester, June 2010.

‘The Joke as Critical and Creative Act’, ‘Critic as Artist,’ University of Lancaster, June 2009.

‘Mr Coombes and the Drop-Hole’, a fictional dramatisation of the process of research, ‘The Story of Research’, University of Sussex, June 2007 and ‘Great Writing’, University of Bangor, July 2007.

‘Conversations with a Machine: Re-thinking the relationship between Poetry and Critical Discourse’, ‘In the Line of Contemporary Poetry’, Oxford, September 2006.

‘Indefinite Exteriors: Narrative Desire and the Kiss’, ‘Incorporation and Literature’, University of Edinburgh, July 2006.

‘Freud’s Compositional Space’, ‘Great Writing’, University of Portsmouth, June 2005.

 

Readings and Projects

I have been involved in a number of collaborative projects, including creating short films and performances for Sussex University’s ‘Sounding the Site’ series.

I’ve read my work at the following venues and festivals, Chiddingly, Stanza, The Troubadour, The Betsy Trotwood, The Komedia, Slaughtered Lamb, Poetry Café and Bookroom Boutique. I’ve also judged poetry competitions, including Kent SaveAs, Root and Branch, and The New Writer.