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Dr Sarah Lawson Welsh - Publications and Papers

Sarah’s main publications are the Routledge Reader In Caribbean Literature (Taylor & Francis: 1996) and Grace Nichols (2007), the first book-length study of this Black-British/Guyanese author in the prestigious ‘Writers and Their Work’ series (Northcote Press & the British Council). A co-edited collection, Rerouting the Postcolonial: New Directions for a New Millennium, will be published by Routledge in 2009. She has published numerous articles and book chapters on Caribbean and Black British writing and her work has been reprinted as part of the Open University course materials  for A430 – Post-colonial Literatures in English.

She is  one of the founding members Associate Editor of the international Journal of Postcolonial Writing (formerly World Literature Written in English), published by Taylor & Francis.(http://www.tandf.co.uk/journals/journal.asp?issn=1744-9855&linktype=5).

Sarah is also Caribbean area editor for the Literary Encyclopaedia, a well-respected online reference resource. Sarah’s monograph, Grace Nichols, was published in the British Council 'Writers and their Work' series in 2007 and the co-edited collection, Rerouting the Postcolonial: New Directions for a New Millennium was published by Routledge in 2009.(http://www.routledgeliterature.com/books/Rerouting-the-Postcolonial-isbn9780415543255).

Sarah also co-edited the bestselling, The Routledge Reader in Caribbean Literature, first published in 1996. http://www.routledgeliterature.com/books/The-Routledge-Reader-in-Caribbean-Literature-isbn9780415120494  

Lawson Welsh, Sarah (1992) ‘Linton Kwesi Johnson's Tings an Times’, Bete Noire, pp.406-424.

--- (1996a) ‘New Wine in New Bottles: The Critical Reception of West Indian Writing in Britain in the 1950s and the early 1960s’ in The Routledge Reader in Caribbean Literature(Routledge), pp.261-268.

--- (1996b) ‘Experiments in Brokenness: The Creative Use of Creole in David Dabydeen’s Slave Song’, in The Routledge Reader in Caribbean Literature (Routledge), pp.416-424.

--- (1997a) ‘(Un) belonging Citizens - Unmapped Territory: Immigration and Black British Identity in the post 1945 period’, in Stuart Murray (ed.) Not On Any Map - Essays on Postcoloniality and Cultural Nationalism (Exeter University Press), pp.43-66.

--- (1997b) ‘Experiments in Brokenness: The Creative Use of Creole in David Dabydeen’s Slave Song’, in Kevin Grant (ed.) The Art ofDavidDabydeen (Peepal Tree Press), pp.27-46.

--- (1998a) ‘The Shape-Shifting Fictions of Pauline Melville’ in Mary Conde and Thorunn Lonsdale (Eds.)CaribbeanWomen Writers: Fiction in English(Macmillan), pp. 144-171.

--- (1998b) ‘Critical Myopia and Black British Literature: Reassessing the literary contribution of the post-Windrush generation(s)’, Kunapipi, XXI/1 (Special Windrush Commemoration Edition: 1948-98), pp.132-142.

--- (2000a) ‘”Out in the Open”: ‘Under-represented Sexualities in Shani Mootoo’s Cereus Blooms at Night and Lawrence Scott’s Aelred’s Sin’, in The Vitality of West Indian Literature: Caribbean and Indian Essays, edited by H. Cynthia Wyatt (Mysore: Dvanyaloka Publications), pp.208-23.

--- (2000b) ‘Out in the Open: ‘Under-represented Sexualities’ in Shani Mootoo’s Cereus Blooms at Nightand Lawrence Scott’s Aelred’s Sin’,The Literary Criterion (India), special issue on Caribbean Literature.

--- (2001) ‘Making with their Rhythms something torn and new: the literatures of Jamaica and Trinidad’, in Volume II of A History of Literature in the Caribbean, edited by Vera Kutzinski, General Series Editor, J. Arnold (Amsterdam and  Philadelphia: Benjamins).

--- (2002) ‘Imposing Narratives: European incursions and intertexts in Pauline Melville’s The Venriloquist’s Tale’, in Dependence, Independence and Interdependence at the Threshold of the 21st Century(Rodophi Press), edited by Prof. Gerhard Stiltz.

---(2003a)‘”Out From Under the Shadow of Jean”: Critical Bias and Critical Neglect in the Construction of a Tradition of Caribbean Women’s Writing: The Case of Elma Napier’, in Joan Anim-Addo (ed.) Centre of Remembrance: Memory and Caribbean Women's Literature  (London: Mango Publishing), 134-44.

---(2003b) ‘New Wine in new bottles: The Critical Reception of West Indian Writing in Britain in the 1950s and the early 1960s’ in Open University course materials A430 – Post-colonial Literatures in English (Milton Keynes: The Open University).

--- (2004a) Guest Editor of Caribbean Special Issue of World Literature Written in English, 39.1.

--- (2007) Forthcoming ‘How to Teach Caribbean Literature’ in Dean Butler and Patrick Quinn eds Anthology of Colonial and Postcolonial Short Fiction (Boston, Mass.: Houghton Mifflin).