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Prof Gary Peters - Papers and Publications

Published Work

Single Authored Books

The Philosophy of Improvisation, University of Chicago Press, 2009.

Irony and Singularity: Aesthetic Education from Kant to Levinas, Ashgate Publishers, 2005.

 

Book Chapters

In the Moment: Improvisation and the Phenomenology of Internal Time-Consciousness, in George Lewis and Ben Piekut (eds) The Oxford Handbook of Critical Improvisation Studies, 2 Vols. (Oxford: Oxford University Press, forthcoming, 2012)

Get Over It: A Response to the Stone Art Theory Institutes Seminars, in James Elkins and Harper Montgomery (eds) Beyond the Aesthetic and the Anti-Aesthetic (London: Routledge, forthcoming, 2011)

Ignorant Students/Ignorant Teachers, in Tom Claes and David Seth Preston (eds) Frontiers of Higher Education, Rodopi Press, 2010

The Death of a Friend: Some Themes in Derrida’s ‘Work of Mourning’, in Asa Kasher (ed.) Making Sense of Dying and Death Vol 2, Rodopi Press, 2007

No Place Like Home: Imagining, Thinking and Homelessness in Kant and Heidegger, in Mary Modeen (ed.) This Place Called Home, Manx National Heritage Press, 2006

Time To Die: The Temporality of Death in the Philosophy of Singularity, in Andrew Fagan (ed.), Making Sense of Dying and Death Vol 1, Rodopi Press, 2004

The Aesthetics of Loss, in The Lost Works of Dunhill and O’Brien, Wild Conversations Press, 2001

Dissonant Man, in Howard Caygill and Keith Ansell-Pearson (eds.) The Fate of The New Nietzsche, Avebury, 1993

 

Academic Journal Papers

Yes, No, Don’t Know, in, Parallax 56, August 2010 (I was guest editor for this edition)

Zone of Accuracies, Zone of Truth: Art, Science and Neutrality, Neutral, Spring 2009

Can Improvisation be Taught?, in, The International Journal of Art and Design Education, Vol. 24, No. 3, 2005.

The Fear of Fear: The Phenomenology of Death and Dying in Heidegger and Levinas, in Contemporary Philosophy, vol. XXVI, no 3 & 4, 2005

Dissymmetry and Height: Rhetoric, Irony and Pedagogy in the thought of Husserl, Blanchot and Levinas, in Human Studies, Vol. 27, Issue 2, 2004

Means Without End: Production, Reception and Teaching in Kant’s Aesthetics, in, The Journal of Aesthetic Education, Vol. 38, No. 1, Spring 2004

The Aestheticisation of Research in the Thought of Maurice Blanchot, in, The International Journal of Education and the Arts, March 2003

Against Integration: Distinguishing Art Theory and Aesthetics, in, The International Journal of Art and Design Education, Vol. 20, No. 2, Summer 2001

The Aporia Of Configured Meaning: Teaching Hegel’s Aesthetics, in The Journal of Visual Art Practice, Vol. 1, No. 2, 2001

The Rhythm of Alterity: Levinas and Aesthetics, in Radical Philosophy, No. 82, March/April 1997

The Double Stillness: Speech, Silence and Musicality in Nietzsche, in The Journal of Nietzsche Studies, Issue 2, Autumn 1991

 

Book Reviews

Review of, Michael Kooy, Coleridge, Schiller, and Aesthetic Education, The Journal of Aesthetic Education - Volume 40, Number 3, Fall 2006, pp. 119-124

 

Academic Conference Papers

Invited  keynote speaker at 4th BaltArt Symposium: ‘Art*Eros*Education’, March 19th-21st 2012, Helsinki.

Hitchcock, Hermann, Hegel and the Severe Style, Hitchcock/Hermann: Partners in Suspense Conference, Royal York Hotel, York, UK, March 24th, 2011.  

From Essential to Non Essential Solitude: Heidegger and Blanchot on Irony and Art, Society of European Philosophy Annual Conference, Rome, July 2010

The Artist Behind the Microscope: Imaging the Un-Image-able, ‘The Artist under the Microscope c. 1950 to the present’ conference at Ustinov College, The University of Durham, 14th November 2009  

Why This and not That? Art and the ‘emancipation of contingency’ Keynote at the One-day interdisciplinary symposium ‘On Not Knowing’, Kettle’s Yard House, Cambridge, June 2009. Organised by the ‘Visual Intelligences’ Project at Lancaster University and the ‘How Art Thinks’ Project at the University of the Arts, London.

The ‘There’ and the ‘Given’: Art and Origination in Heidegger and Benjamin.Art, Praxis and Social Transformation, State University of California, San Francisco, November, 2008.

The Role of the Intellectual within the Art School, 1st Global Conference: Intellectuals: Knowledge, Power, Ideas. Budapest, May 2008.

Art and Exchange Value: Is the Aesthetic Transferable? 5th Global Conference: The Idea of Education: At the Interfaces of Higher Education, Budapest, May 2008.

Ignorant Teachers/Ignorant Artists, Association of Art Historians Conference, Tate Britain, London, April 2008.  

It Gives: The ‘there’ and the ‘given’ in the Space of Improvisation. Land2D one day symposium: ‘The place of Improvisation and the Improvisation of Place, University of the West of England, Bristol, July 2005

Can Improvisation be Taught? Hawaiian International Conference on Education, Honolulu, January 2005

Death and the Phenomenology of Internal Time Consciousness, Annual Conference of Phenomenology and the Human Sciences, Boston, November 2003

The Death of a Friend: Reflections on Derrida’s ‘Work of Mourning’, 2nd Global Conference, Making Sense of Dying and Death, Paris, November 2003

Time to Die: The Temporality of Death in the Philosophy of Singularity, 1st Global Conference, Making Sense of Death and Dying, Brussels, November 2002

Dissymmetry and Height: Phenomenology and Pedagogy in the thought of Blanchot and Levinas, Annual Conference of the Society for Phenomenology and the Human Sciences, Loyola University, Chicago, October 2002

Nietzsche’s Recreation: The Annihilation of Wagner, Annual Conference of the Friedrich Nietzsche Society, Middlesex University, April 1991

 

Other Academic Papers

Aesthetic Education, a Pedagogy of Disaster? Invited speaker as part of the lecture series: ‘The Future of Pedagogy’, Institute of Contemporary Arts, London, Sept. 19th 2010

From the Heart…passions...interests…curiosities, The Graduate School of the University of Dundee, Duncan of Jordanstone College of Art and Design, November 2005

The Philosophy and Practice of Improvisation, The Graduate School of the University of  Dundee, Duncan of Jordanstone College of Art and Design, March 2005.

What is Aesthetic Education? Some Thoughts on Kant, Schiller and Paul de Man, Centre for Research in Modern European Philosophy and Continental Aesthetics, Middlesex University, April 2004.

 

Other Academic Activities/Output

Organization of the Society of European Philosophy and the Forum of European Philosophy Annual Conference, York St John University, York, 31st August-3rd September, 2011.

Curated Sphere of Accuracies/Zone of Truth group art exhibition at Bar Lane Studios Gallery, York. 5th -31st March 2011.

Production of a YES! CD to accompany the Journal Parallax 56. August 2010

Debatable Land, composition, performance, recording and production of music as part of an artist’s/CD project with Iain Biggs (writer, artist, Head of research at U.W.E) Forthcoming, Wild Conversations Press, 2007.

Organisation and Co-ordination of Land2D symposium on Improvisation, University of the West of England, July 2005. For details see: www.land2.uwe.ac.uk/

Organisation and co-ordination of Predicaments in Visual Culture, a series of three symposia at the Watershed Media Centre, Bristol, in conjunction with the Dept. of Visual Culture, University of the West Of England.

January 22nd 2005, Visible and Invisible Culture

February 19th 2005, Theorising Creativity

March 19th 2005, Mediated Pleasures in (Post)Feminist Contexts

8 Lost Songs (the Sowdun Parish Blues), Composition, performance, recording and production of eight “songs”, as part of an artist’s book/CD project with Iain Biggs (writer, artist, Principle Lecturer/Head of Research, U.W.E) and Veryan Weston (pianist/improviser, Emanem Records)), Wild Conversations Press, December, 2004.