Creative Writing - Research informed
Staff research interests and expertise underpin
the entire Creative Writing programme. Staff have published in the
genres of poetry and the novel – there are modules at Level 2
dedicated to poetry and to prose, while the Level 1 module Writing
to Order draws in part on the experience of published writers in
meeting deadlines and other requirements that publishers and/or the
form of writing chosen may impose. Students on the programme can
expect learning and teaching to be informed by these experiences.
However, staff also have academic research qualifications – one
member of staff was one of the first to gain a PhD in Creative and
Critical Writing at Sussex University. The need which all staff
recognise for creative writers to be self-critical is something
which is explored in the Level 3 module Critiquing Writing – again,
staff have both experience and research into this.

Creative Writing staff were involved in a
project in which students worked with York St John’s Japan Project
Officer to create English-language versions of a range of Japanese
poetic forms, such as the well-known haiku and less familiar forms
such as tanka. A group of interested staff and students
participated in a ‘nijuuin renga’, a kind of poetic collaboration
resulting in the production of a twenty-verse poem. This event was
held in the picturesque gardens of York’s medieval Treasurer’s
House, a short walk from the University.
Abi Curtis
Abi Curtis specialises in creative writing, and has
research interests in psychoanalysis, fiction and poetry. She was
one of the first to gain a PhD in Creative and Critical Writing
from the University of Sussex, and went on to teach there until
2010 when she joined YSJ. In 2004 she received an Eric Gregory
Award from the Society of Authors for poets under 30, and her first
collection, Unexpected Weather, was a winner of Salt
Publishing’s inaugural Crashaw Prize, and shortlisted for the
London Festival Fringe Poetry Award 2010.
Visiting Professor Jack Mapanje
Malawian
poet Jack Mapanje joined the Department of English at Chancellor
College, University of Malawi, in 1975, first as a lecturer, then
as Head of the Department of English. He has a BA and Diploma
in Education from the University of Malawi, an M.Phil. in
English and Education from The Institute of Education London, and a
Ph.D. in linguistics from University College London. His first
collection of poems,
Of Chameleons and Gods, was published in the UK in 1981
and withdrawn from bookshops, libraries and all institutions of
learning in Malawi in June 1985. He was imprisoned without trial or
charge by the Malawian government in 1987, and although many
writers, including Harold Pinter, Wole Soyinka, Susan Sontag
and Noam Chomsky, campaigned for his release, he was not freed
until 1991. The poems in
The Chattering Wagtails of Mikuyu Prison (1993) were
composed while he was imprisoned, as well as most of his third
collection of poetry, Skipping
without Ropes (1998). He has edited the introduction
Gathering Seaweed: African Prison Writing (2002) and
has also selected and edited with introduction the poetry of David
Rabadiri, An African Thunderstorm & Other Poems
(2004). His book,
The Last of the Sweet Bananas: New & Selected
Poems was published in 2004, and his latest poetry
collection is
Beasts of Nalunga (2007).